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These include XLFO, XY controller, envelope generator, envelope follower and incoming MIDI. Saturn supports six different types of modulation sources. So far so good, but it takes more than multiband processing and distortion to take music 'to the outer limits.' To get there you need to dig into the sophisticated modulation system that the FabFilter team has refined over the past few years. Saturn can also be switched into mid/side mode, which takes things even further into the realm of advanced mixing tools. Combined with the dynamic band processing, this essentially turns Saturn into a very useful multiband compressor / expander-a pleasant surprise. Despite its simplicity, we found it to be unexpectedly effective. This deceivingly simple knob can be used to either compress or expand the dynamics of audio within a band. Perhaps the most useful of the band controls is the Dynamics knob. This can easily send things out of control, but thankfully FabFilter provides a global Auto Mute switch that can save your monitors (and ears) from the pain that feedback can inflict. Even more sonic mayhem can be introduced by using the two feedback knobs, which control the amount and frequency of feedback for each band. Every band also includes four EQ sliders that allow you to fine tune the bass, middle, treble and presence of the audio after it has been run through the distortion engine. Without being able to modify the grain size, this engine can start to sound like a one-trick-pony.ДЄs it turns out though, distortion is just one part of the audio processing path within Saturn. This is the case especially for Smudge, which feeds back grains of audio into the signal. It would be nice to have at least one more knob to control engine-specific parameters here. Technically speaking, it determines how much of the clipping stage is driven with the input signal-and for Smudge (one of the experimental engines) it also serves double duty by controlling the amount of audio signal being repeated.

Once you've chosen the distortion engine for a band, you essentially get one knob labeled DRIVE to control the character and amount of the distortion applied to your signal. Even with 16 different options, in many cases it feels like the engines within each category are a little too closely related-as if they are the using the same algorithm with a varied amount of one or two parameters. These engines can be generally categorized into five different types-tube, tape, amp, saturation and experimental. The most fundamental of these controls is a dropdown that allows you to pick one of the distortion engines. You can then easily and dynamically create new bands by placing dividers on top of the display of the incoming audio.Д®ach active band within Saturn has its own set of controls to affect its section of the audio signal.

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Additionally, unlike most multiband distortions, which usually have a fixed number of frequency bands, Saturn starts with just one band covering the full spectrum by default. This allows you to accurately determine where to place the multiband separators by watching this display react to your music over time. In this case, since Saturn allows you to process separate parts of the audio signal independently, the audio display shows the volume levels spread across the frequency spectrum. When you open an instance of Saturn and begin to run audio through it, you're immediately greeted by one of the major selling points of the FabFilter products-a useful real-time audio display.

Included are 16 different distortion flavors, dynamic multiband processing, mid/side processing and the same vaunted modulation engine found in their other creative plugins (Volcano, Timeless and Twin). Their newest release is a multiband distortion plugin called Saturn, which promises to 'take your music to the outer limits.' In addition to that celestial claim, the FabFilter press materials list an impressive number of features that have been built into Saturn. We're referring to FabFilter, the Dutch crew that has made a name for themselves by releasing great sounding plugins with a concentration on user interfaces that are both intuitive and sophisticated.

Fans of distortion are really getting spoiled these days aren't they? It seems like it was just yesterday that we took a close look at Audio Damage's newest offering, and now another major plugin maker is getting into the game.